Ironically, the first thing we read is Kingston's mother's warning Kingston, "You must not tell anyone.
However, it is often not the men themselves who are most oppressive in the memoir, but rather the power of tradition as carried through women. It is women who utter phrases like "better to have geese than girls" to Kingston, women who are pictured destroying the house of No-Name Woman, girls who torment each other on the playground in the final chapter.
Her mother tells her stories of female swordswomen and shamans, and is herself an accomplished, intelligent doctor, but she also reinforces the notion that girls are disappointments to their parents, despite what they may accomplish.
As a little girl, Kingston feels haunted by the images or ghosts of little Chinese girls whose parents left them to die because they wanted sons instead.
It is the only way—besides leaving home—that Kingston is able to reconcile what she has been taught. As a whole, however, the Chinese emigrants are so guarded of their community that they keep silent about anything that could disrupt it.
For her part, Kingston is naturally quiet and socially awkward to begin with. It is not surprising, therefore, that much of her memoir, especially "A Song for a Barbarian Reed Pipe," is about the process of finding her own voice.
It is with some pride, however, that Kingston eventually begins to tell talk-stories herself. In the end, the very act of writing her story becomes her way of finding a voice. Growing Up Chinese-American Though Kingston claims elsewhere that she does not want her memoir to be "representative," it is clear that she is also reaching out to other Chinese-Americans who share her feelings of displacement and frustration.
For the first generation born in America, it is especially difficult to reconcile the heavy-handed and often restrictive traditions of the emigrants with the relative freedom of life in America. Being Chinese-American often means that one is torn between both worlds without really being part of either.
Indeed, Kingston feels as different from her American classmates as she does from her own relatives. For a woman, this frustration is heightened because many of the typical traits of Chinese women, such as a loud speaking voice, are not considered "American-feminine.
At the time Kingston wrote her memoir she had never even been to China. Much of the memoir is about the attempt to sort out the difference between what is Chinese and what is peculiar to her family, what is real and what is just "the movies.Maxine Hong Kingston begins her search for a personal identity with the story of an aunt, to whom this first chapter's title refers.
Ironically, the first thing we read is Kingston's mother's warning Kingston, "You must not tell anyone what I am about to tell you. vetconnexx.com reviews academic and professional books in the science, arts and humanities. Focus and religion and philosophy.
A summary of Chapter One: No Name Woman in Maxine Hong Kingston's The Woman Warrior. Learn exactly what happened in this chapter, scene, or section of The Woman Warrior and what it means.
Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. A short literary analysis of Maxine Kingston's classic “No Name Woman” As part of the first generation of Chinese-Americans, Maxine Hong Kingston writes about her struggle to distinguish her cultural identity through an impartial analysis of her aunt’s denied existence.
网易云音乐是一款专注于发现与分享的音乐产品，依托专业音乐人、dj、好友推荐及社交功能，为用户打造全新的音乐生活。. HISTORY AND THEORY OF FEMINISM The term feminism can be used to describe a political, cultural or economic movement aimed at establishing equal rights and legal protection for women.