The sound of rock is traditionally centered on the amplified electric guitarwhich emerged in its modern form in the s with the popularity of rock and roll.
Rock and radio in the United States Written By: See Article History Radio and rock and roll needed each other, and it was their good fortune that they intersected at the exact moment when rock and roll was being born and radio was facing death.
In the early s, however, its standing as the electronic centre of family entertainment slipped. America had discovered television. Iconic rock disc jockey Wolfman Jack. It needed something that would attract an entire new generation of listeners, something that would take advantage of technological advances.
While television replaced radio in the living room, the invention of the transistor set the radio free. Teenagers no longer had to sit with their parents and siblings to hear radio entertainment.
Now they could take radio into their bedrooms, into the night, and into their own private worlds. What they needed was a music to call their own. They got rock and roll. They got it because radio, forced to invent new programming, turned to disc jockeys. At independent stations—those not affiliated with the networks that dominated the early years of radio—disc jockeys had played a wide range of music, and many of them discovered an audience that the larger stations had ignored: These were the disenfranchised, who felt that the popular music of the day spoke more to their parents than to them.
What excited them was the music they could hear, usually late at night, coming from stations on the upper end of the radio dial, where signals tended to be weaker.
Thus disadvantaged, owners of those stations had to take greater risks and to offer alternatives to the mainstream programming of their more powerful competitors.
It was there that radio met rock and roll and sparked a revolution. Alan Freed centre, headphoneswho popularized the term rock and roll as a disc jockey in Cleveland, performing a live remote broadcast.
The first new formats were rhythm and blues and Top 40with the latter exploding in popularity in the late s. Top 40 had been conceived after Storz, sitting with his assistant, Stewart, in a bar across the street from their Omaha station, KOWH, noted the repeated plays certain records were getting on the jukebox.
The format they implemented proved to be a free, democratic music box.
If a song was a hit, or if enough people called a deejay to request it, it got played. Although the staples were rock and roll, rhythm and blues, and pop music, Top 40 also played country, folk, jazzand novelty tunes.
Inevitably, as teenagers grew up, the Top 40 formula began to wear thin. In the late s so did rock. A new generation sought freedom, and on the radio it came on the FM band with underground, or free-form, radio. Disc jockeys were allowed—if not encouraged—to choose their own records, usually rooted in rock but ranging from jazz and blues to country and folk music as well.
Similar latitude extended to nonmusical elements, including interviews, newscasts, and impromptu live performances. While free-form evolved into album-oriented rock or AOR, in industry lingoother formats catered to an increasingly splintered music audience. Archetypal FM radio rock disc jockey Tom Donahue seated.
An urban version of Top 40 also known as contemporary hit radio, or CHR was called churban. Urban-based music, including rap, continued to influence Top 40 in the s. Rock was equally fragmented, ranging from classic rock and hard rock stations to those with a more eclectic presentation called A3 or Triple A for, roughly, album adult alternative and alternative or modern rock and college stations, which provided exposure to edgier new sounds.
In the mids newer sounds became more difficult to find on the airwaves after passage of the Telecommunications Act allowed broadcast companies to own hundreds of radio stations.
Broadcasters previously had been limited to 2 stations in a market and 40 overall. Now a company could operate as many as eight stations in a single market and have almost unlimited total properties.The United States is not only home of many other internationally acclaimed artists, but it is also the origin of famous music genres such as .
Rock: Rock, form of popular music that emerged in the s. It is certainly arguable that by the end of the 20th century rock was the world’s dominant form of popular music. Originating in the United States in the s, it spread to other English-speaking countries and across Europe in the ’60s, and by.
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The music of the United States reflects the country's multi-ethnic population through a diverse array of styles. It is a mixture of music influenced by West African, Irish, Scottish and mainland European cultures among vetconnexx.com festivals: Jazz Fest, Lollapalooza, Ozzfest, Monterey Jazz Festival.
Pages in category "Rock music groups from the United States" The following 3 pages are in this category, out of 3 total. Jun 29, · "Tour the States" is track #1 from Brain Beats - the mnemonic CD that features 14 brilliantly catchy songs to help you remember things you've always wanted to learn, but couldn't.
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